In this Nickelodeon project, we combined motion graphics with 3D elements to give the piece the dynamism and visual impact it required. We also created a 3D character that involved fluid simulation to bring Nickelodeon’s iconic slime to life.

We were in charge of the Color grading and visual effects for Bill79. This included background replacements, VFX work, and shot cleanups, all executed with a precise technical approach to maintain visual continuity. The color grading was tailored to reinforce the narrative tone, enhancing the atmosphere and overall visual style of the film.

Our studio handled the creation of digital backgrounds and compositing, optimizing time without sacrificing detail. We used Unreal Engine to generate multiple 4K environments, ensuring a high level of realism and creative flexibility.

At Marte, we took on the challenge of enhancing Axel’s music video El Motivo with high-end visual effects. From the initial concept to the final color grading, our team meticulously crafted each detail to seamlessly integrate VFX, creating a visually stunning and immersive experience. This project showcases our expertise in VFX supervision, digital environment creation, and cinematic composition, pushing the boundaries of realism and creativity.

For María Becerra's music video 'Imán,' we served as VFX supervisors, assisting throughout the filming process to ensure seamless integration of all elements and visual effects on set.

Project for Sernova was directed and post-produced at Marteee. From the very beginning, we planned everything needed for the shoot, ensuring the envisioned visual effects could be seamlessly integrated.

Color grading for Las noches son de los monstruos, a 2022 Argentine fantasy drama film directed by Sebastián Perillo.

We handled the color grading for Corazón Vacío, a music video by María Becerra. The goal was to enhance the emotional tone of the piece, supporting the narrative with a cinematic look that highlights the contrast between vulnerability and strength throughout the story.

For this commercial project we did the color grading edition.

For this movie we did the color grading edition.

For this project we did the color grading edition.

Como estudio de postproducción, somos responsables de todo el proceso de creación de los bumpers de la marca Telefe. Esto incluye la idea, modelado, animación y renderizado, todo lo cual ha dado forma a un lenguaje visual distintivo a lo largo de los años, dando vida a estas piezas.

We supervised and executed the VFX for Maria Becerra's music video 'Automático'. Additionally, we scanned the set's car in 3D to simulate the glass shattering, and modeled the engine in 3D to animate and emphasize the speed that enhances the video's visual narrative. We also added 2D composited fire and sparks to integrate the shots seamlessly.