For this film project we did the color art direction and edition.

For this video-clip we did the color grading edition.

We led the supervision and execution of VFX for Maria Becerra's music video 'discoteka'. Developed the entire 3D set in Unreal Engine specifically for chroma key shots.

For this commercial project we did the color grading edition.

For this movie we did the color grading edition.

For this project we did the color grading edition.

For María Becerra's music video 'Imán,' we served as VFX supervisors, assisting throughout the filming process to ensure seamless integration of all elements and visual effects on set.

At our post-production studio, we supervised and executed the visual effects for Tiago PZK's music video 'PIEL'.

This project for Sernova was directed and postproduced entirely in Marteee. From the very beginning, we meticulously planned everything necessary for the filming to ensure the envisioned VFX could be seamlessly integrated.

In this Nickelodeon project, we combined motion graphics with 3D elements to give the piece the dynamism and visual impact it required. Additionally, we created a 3D character that needed fluid simulation to bring Nickelodeon's iconic slime to life.

Como estudio de postproducción, somos responsables de todo el proceso de creación de los bumpers de la marca Telefe. Esto incluye la idea, modelado, animación y renderizado, todo lo cual ha dado forma a un lenguaje visual distintivo a lo largo de los años, dando vida a estas piezas.

We supervised and executed the VFX for Maria Becerra's music video 'Automático'. Additionally, we scanned the set's car in 3D to simulate the glass shattering, and modeled the engine in 3D to animate and emphasize the speed that enhances the video's visual narrative. We also added 2D composited fire and sparks to integrate the shots seamlessly.